Someone always asks their math teacher, "Will I ever need to use numerical analysis in everyday life?" For many of us, says Artur Benjamin, the answer is "no". It offers a new way of teaching mathematics to adapt to the digital times. The whole world turns into a digital wave, replaces naturalism with digitization, truth triumphs over the invading "artificiality". Now the world is very artificial, the times of Napoleon, Caesar and Alexander were forgotten, digitization has become an endless battle. If you told these statues that the time will come when people will talk on the phone, they probably wouldn't believe it. A few years ago, 70 percent of people did not know what a mobile phone was, but now this thing has become commonplace. Now beer is alcohol-free, meat is fat-free, coffee is caffeine-free, sex is no longer sex, but digital sex, everything is starting to lose its tradition and taste of nature.
This artificial world, closed in the ruling lie, the pyramid marathon has no truth in fraud to continue to the next day. There must be a violent ban, in order to curb this artificial taste, because the real taste is losing its identity, it is being deceived by the digital curtain which is gradually globalizing, and as an increase of the collective it is taking all humanity. Here is also hidden the possibility of acceleration, but in essence nothing is accelerated because the laws of real nature run at the same pace, neither faster nor slower, the mind with deception flies faster, but still the essence with the hands of truth turns it in the draw.
Information as the main role, conveyed within a second, the opportunity to understand is at a dizzying speed, this is positive in the steps towards recognition. But if digitalization is introduced into sensitivity, I think that feelings are digitalized and the equation is artificial. Here I would like to comment on art, which is digitized and accelerated day by day. The arts are generally more devoted to technique than depth, sensitivity, soul. Their magic is already appreciated by the effective possibility of scenes, which they try to depict as real, or similar to everyday scenes. For example, the film has exceeded every horizon of development, it has managed to turn fantasy into reality, the viewer becomes part of the fantasy, even with flesh and soul I travel in the director's concept, which constantly excites the ego, the feelings and the rhythm of the heart of the viewer. For a short time, this resembles a temporary spell, with high development potential.
Meanwhile, figurative art is clearly subjected to digitalization, colors are no longer experienced, because during experience they create their own eternity, the possibility of the mind runs to the unseen "limit", not recognizing the "limit", therefore the mixture occurs. Painting as art has more sensitivity, because the soul is naturally translated into fabric, but now, at this time, the soul is digitized, it's like the world is forgetting the advice of the great genius Leonardo Da Vinci: "O painter! Try to make such creations, so that the viewers make them for themselves. To make them stop and see them in awe, to feel pleasure from what they see and not to attract them at first and then to abandon them indifferently, as the air did to those who at night go out to the window naked, straight and from bed, to see what this air is like: wet or dry, warm or cold. Do the works like a cool breeze, which draws people to itself in bad weather and does not let them leave. Don't allow yourself to be first a practical person and then a scientist".
Even the actors have started to live and be influenced by the digital wave, of course this maybe the opportunity to express the feeling is easier. But philosophers such as Friedrich Nietzsche do not agree, who says: "Great actors are happy to live in the delusion that the historical characters they represent really felt like them, until they show their feelings. , but in this they are mistaken: their revealing and imitative powers, which they want to display as prophecies, penetrate deep enough to explain the gestures, intonation and look, generally the external one, respectively, they catch the shadow of the soul of a hero of great, a warrior, a statesman, an ambitious man, penetrate to the vicinity of the soul of their object, but not to their own soul. Let's not forget that when you hear such insolence that the actor is an ideal monkey, and that monkey to such a degree that I can't believe in the 'essence' and the essential, for him it's all a game, tone, gesture, fall and public."
So, in the end, I would say that the universe is not conquered by nature and tradition, but by the digital, which has lost its identity to the truths. Every day more and more we are faced with values that have lost their essence, have turned into an untrue world both culturally, politically and economically.
